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Drum-80 (version: 1.1.0)
GS-201 Mk2 (version: 1.0.0)
EQuity (version: 1.0.1)
Compact DeLuxe (version: 1.0.0)
MiniOrchestra (version: 1.0.0 )
RedAnimal (version: 1.0.0)
SoloTrumpet (version: 1.0.0)
TimeVerb-X (version: 1.0.0)
VariSpeed (version: 1.0.0)
VB3-II (version: 2.2.0)
Drum-80 (version: 1.1.0) Today we all know and use electronic drums, but in the early 80s of the last century, the first electronic drums were a real novelty that revolutionized not only the sound of the music of those years, but also the process of working in a recording studio. Many producers preferred to record the sound of electronic drums rather than acoustic ones, as it saved time and money, eliminated the need to install microphones, look for the right positions, spend hours on equalization and correction of the recorded material. With an electronic drum kit, everything happened faster: it was enough to connect cables and, perhaps, find a suitable sound for the song, which was an ideal option, especially for many inexpensive, for example, pop music productions. The first electronic drums were completely analog, they generated drum sounds with just a few elements, such as an oscillator and a white noise generator, as well as a pair of envelopes and a filter. The sound was not entirely realistic, but it was unique and perfect for creating certain sounds that had never been heard before. The downside was that electronic drums could only generate drum sounds, not cymbals. So the sound of real cymbals was recorded together with the sound of the electronic drums. This setup was often used live as well. It was not uncommon to see a drummer on stage playing the typical hexagonal pads, but in combination with a set of real cymbals. The GSi Drum-80 reproduces exactly this scenario. It contains two separate sound engines that can play simultaneously. One of them recreates the sounds of the famous Simmons SDS-V electronic drum module (very similar to the later SDS-8 model); at the same time, the exclusive GSi WLF Engine reproduces a multi-sample of real cymbals recorded exclusively for the Drum-80.
GS-201 Mk2 (version: 1.0.0) There was a time when echo effects were created using magnetic tapes, and among the many devices the industry presented on the market, one model shone above all: the Space Echo RE-201. It was one of the most popular and still one of the most sought-after tape echo devices. The new GS-201 Mark II is the development of a project we started in 2008 with the release of the old version of the GS-201. The goal is to capture the magic of Space Echo and make it available to everyone directly in the computer. Not an easy task, but the experience we have gained over the past 10 years in developing audio DSPs has helped us achieve a result that can sometimes fool even ourselves.
EQuity (version: 1.0.1) EQuity is a six-band visual equalizer with precise metering, including a frequency analyzer and an IR-based preamp block. It was originally conceived as a simple equalizer module for plugging into other audio products, then a visual EQ section and spectrum analyzer were added. It is a low-cost solution for DAWs and other audio environments where using a visual equalizer is convenient. The low power consumption of the processor makes it ideal for running multiple instances on complex mixes. Compact DeLuxe (version: 1.0.0) Replicas of the Italian Farfisa Compactt DeLuxee transistor organ, also known as the single-manual version of the famous Compactt Duo. MiniOrchestra (version: 1.0.0) A sample-based synthesizer based on a selection of high-quality stereo samples with long loops, which helps you easily and quickly reproduce the sound of a symphony orchestra.
RedAnimal (version: 1.0.0) Replicas the famous Vox Continental transistor organ by recreating the same electronic circuitry based on the TOS (upper octave synthesizer) circuit and all frequency dividers, down to the key contacts and pedalboard tones. SoloTrumpet (version: 1.0.0) Physical trumpet modeling emulation. This chapter was started by GSi long ago with one of the first plugins, then evolved into the updated emulation featured in GSi Gemini, and now here again with a new plugin.
TimeVerb-X (version: 1.0.0) TimeVerb-X is a new plugin from GSi that combines the “classic” GS4 Type4 spring reverb, first released in 2008, with a new algorithmic digital reverb. The “Type4” spring reverb emulation was originally inspired by the Accutronics Type 4 reverb tank, similar to those found in the classic A100 series Hammond organs, also used in many famous electric guitar amps. Instead, the digital reverb was first developed for the GSi Gemini sound module, but has also been included in some Crumar hardware instruments. Both effects have been expanded and improved slightly for the TimeVerb-X release, as the Spring Reverb now has a self-oscillating feedback decay control and a stereo width control, and the Digital Reverb includes an early reflections section that was missing from the original project. Both reverbs together sound great when running in parallel, and create some interesting atmospheres when running on the show.
VariSpeed (version: 1.0.0) VariSpeed is a tape delay plugin. VariSpeed emulates the old Watkins tape delay (WEM) Copicat IC400. This device used to be very popular among sound engineers and was generally quite in demand. It is known for its variable speed belt drive, which allowed you to change the delay time. The original Copicat IC400 was unusually flexible for an old sound device. It could easily handle short slapback delays and catchy rhythms. However, the secret sauce of the device is the endless, insanely twisted echo waves. In this case, it would be easier to describe this tape delay as an instrument, rather than an effect. Seriously, it is adjustable and sounds like a basic subtractive synthesizer. And this is when using a single sound source. The interface design of VariSpeed is heavily inspired by the original Copicat IC400. The panel even features an animated tape drive that moves at a speed that you can adjust yourself. There are input controls for the left and right audio channels. The user can adjust the motor speed (hold period), repeat rate (delay length), wave (Delay level) and tone. Green, white and red buttons switch between the three pickup heads. The on/off switch can be used as a bypass. The developers have provided a handy hint that describes the functions of each control. We took a little trouble and translated it into Russian for you. The graphical interface is freely scalable from 100% to 130%, relative to the original size.
Drum-80
Install Drum-80.
Run GSi C&R Keygen, select Drum-80 in the product list and copy the “License” key. (Do not close the keygen).
Open Drum-80, paste the “License” key and copy the “Unique Machine ID”. (Do not close Drum-80).
Return to Keygen, paste the “Unique Machine ID”, click the “Generate” button and copy the “Response Code”.
Return to Drum-80, paste the “Response Code” and click “Register”.
VB3-II
Install VB3-II.
Run GSi C&R Keygen, select VB3-II in the product list and copy the “License” key. (Do not close the keygen).
Open VB3-II, paste the “License” key and copy the “Unique Machine ID”. (Do not close VB3-II)
Return to Keygen, paste “Unique Machine ID”, click “Generate” and copy “Response Code”.
Return to VB3-II, paste “Response Code” and click “Register”.